UDONONGAK(udo
instrumental music of peasants)
- Intangible
Cultural Properties 17
-
- ¡ß Explanation
- Udonongak
as a Intangible Cultural Properties 17 has succeeded to the
tradition of Yeongmujangkut where southwest sea-board in Jeolla-do.
Yeongmujangkut is related to the udokut of Yeonggwang,
Gochang, Jangseong, Hampyeong and like places. It is the Geolgoongkut
rooted Shincheogkut that old practice of Nanggeollip.
So, udonongak is played by professionally performers that is
why it satisfies diversify and gorgeousness in artistic. Individual
play - Seoljanggu, Buponori, Goggalsogo etc.- is well-developed,
the rhythm is somewhat slow, and it use a profusion of dumb
rhythm.
- Moreover
the function of motley crew is held in high repute. The
best feature of Yeonggwang udokut is all motley crews play
a drama with wearing a mask made of wood. That is found only
in Yeonggwang udokut
-
- ¡ß Master
- A
first gong-player in a folk band acted from Choi Wha-jip(Jangseong)
to Kang Seong-ok, Park Seong-keun, Shin Du-ok(Gochang), Jeon
Byeong-nam, Kim Myeong-jun, Kim Seong-lak(Yeonggwang), Seong
Ki-man, Cho Ba-wu(Hampyeong), Jeon Kyeong-whan(Yeonggwang) who
was acting as a intangible cultural properties. The present
time, Choi Young, Noh Byeong-nam(Yeonggwang) transmit from generation
to generation
- Suljeonggu
have played from Kim, man-sik(Yeonggwang) to Kim Hak-jun(Yeonggwang)
and Kim Hong-sik(Gocang), Kang Sung-su(Naju), Whang kyu-uen(Gochang),
Kim oh-chae(Yeonggwang, intangible cultural properties). and
Kim Dong-uen(Damyang) retains a tradition.
- Goggalsogo
is continued by Kim Yang-sul(Gochang), Kang Dae-lyuk(Yeonggwang)
and Bak Yong-Ha(Gochang) succeed in Mo Ji-li(Gochang).
- Motley
crew masters were Pyeon Jeong-min(deposu), Kim Ki-wha(yangban),
Yi Sang-sun(halmi), Kang Jin-sik(jorisng).
- then,
Cho Byeong-dae(yangban), Ku Kyo-sun(chambong), Yi Jong-min(jorisng)
transmit a tradition to posterity.
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